Posts

Pages

Emanuele Stracchi Performed at the Beethoven‑Haus, Bonn – 11 August 2021

Emanuele Stracchi performed at the Beethoven-Haus

Beethoven-Haus, Bonn – 11 August 2021

Emanuele Stracchi — pianist, composer, conductor and collaborator of the Beethoven Music Research Centre (www.lvbeethoven.org) — as First Prize Winner of the “International Music Competition Bonn Grand Prize Virtuoso 2021” (piano), performed Beethoven’s Rondo, Op. 129 at the Beethoven-Haus in Bonn on 11 August 2021 for the prize-giving concert.

Those wishing to learn more about the fascinating Rondo, Op. 129 may consult the dedicated page on the website



Emanuele Stracchi

Emanuele Stracchi

Pianist, composer and collaborator of the website.

Born in 1990, he is a versatile musician. He graduated with honours in Piano and in Composition, having studied at the “Briccialdi” Institute in Terni and at the “Santa Cecilia” Conservatoire in Rome, where he also obtained two Second-Level Diplomas cum laude: one in Piano, with a thesis on György Ligeti, and the other in Composition for Applied Music. At the Accademia Musicale Chigiana in Siena he studied with the pianist Lilya Zilberstein, and at the Accademia di Musica di Pinerolo with Emanuele Arciuli. He has recorded Meditazioni Pianistiche and Contemporary Piano Works, available on iTunes and Spotify.
Active as a pianist, harpsichordist and conductor, his repertoire ranges from early music to contemporary languages. He enjoys an intense concert career and has won numerous international music competitions, including the Premio Novecento 2015 at the Nono Competition in Venaria Reale (Turin), First Prize at the Stresa International Competition, the IMC in Kyoto, and the “Grand Prize Virtuoso” in Vienna and Bonn.
He has also pursued a humanistic education, graduating with honours in Philosophy from Roma Tre University and later specialising in Philosophical Sciences (LM). He is a teacher, author of musicological publications, and a regular collaborator with lvbeethoven.org. His compositions have been awarded prizes, recorded and performed by important institutions; as a film score composer, he has collaborated with the Italian State Police and with CinemArt – Istituto Luce Cinecittà.
In 2021 he will perform at Carnegie Hall in New York.
Attivo come pianista, clavicembalista e direttore, spazia dalla musica antica ai nuovi linguaggi contemporanei, vantando un’intensa carriera concertistica e vincendo inoltre numerosi concorsi musicali internazionali come il Premio Novecento 2015 del Concorso Nono di Venaria Reale a Torino, il Primo Premio al Concorso Internazionale di Stresa, IMC di Kyoto, al “Gran Prize Virtuoso” di Vienna e di Bonn. Ha curato la sua formazione umanistica laureandosi in Filosofia con Lode presso l’Università Roma Tre e poi specializzandosi in Scienze Filosofiche (LM); è docente, autore di pubblicazioni musicologiche e collabora stabilmente con lvbeethoven.org. Sue composizioni sono state premiate, incise ed eseguite presso importanti enti; autore di colonne sonore, ha collaborato con la Polizia di Stato e con CinemArt-Istituto Luce Cinecittà. Nel 2021 suonerà al Carnegie Hall di New York.

Opus 129 is part of the Research Becomes Art project.

Emanuele Stracchi Beethoven at Beethoven Haus, Bonn 11 August 2021.
First Prize “Gran Prize Virtuoso Bonn Competition 2021”

World Premiere of the Unfinished Variations Unv. 14

World Premiere of the Unfinished Variations 14

Emanuele Stracchi – Young Artists Piano Solo Series 2020–2021
Teatro Palladium – Rome
Tuesday, 29 December at 9:30 PM

On Tuesday, 29 December 2020 at 9:30 PM, a concert was held at the Teatro Palladium in Rome as part of the “Young Artists Piano Solo Series 2020–2021,” streamed live on the Roma Tre Orchestra Facebook page. It was the 484th concert since the foundation. At the piano was Maestro Emanuele Stracchi, collaborator of the Music Research Centre (www.lvbeethoven.org). The programme included:

  • J. S. Bach: Prelude and Fugue in D major (from The Well-Tempered Clavier, Book I), BWV 850
  • L. v. Beethoven: Variations in A major, Unv. 14 (reconstruction by Graziano Denini, world premiere)
  • J. S. Bach: Chromatic Fantasy and Fugue, BWV 903
  • L. v. Beethoven: Rondo in A major, WoO 49
  • B. Bartók: Suite, Op. 14 (Allegretto, Scherzo, Allegro Molto, Sostenuto)
  • L. v. Beethoven: Rondo a Capriccio, Op. 129

Sketched at the end of 1794 or the beginning of 1795, the drafts of the variations are contained on three pages of the Fischhof sketchbook, probably comprising a theme, eight variations, and a coda. On folio 25 recto of the sketchbook, immediately after the variations, there is a brief draft for the first movement of the Piano Sonata in A major, Op. 2 No. 2; this has also led to the suggestion that Beethoven may have considered a set of variations as a finale for this sonata. Both this hypothesis and the idea of an independent set of variations remain plausible.

Further variations in A major, therefore in the same key and with the same tempo indication, are found in the “Kafka” miscellany (GB-Lhl, Add. Ms. 29801, Bl. 158v), although these probably refer to “La ci darem la mano” from Mozart’s opera Don Giovanni, which is certainly not the subject of the variations in the Fischhof sketchbook.

All details of this work, its reconstruction, and the process leading to the world premiere are contained on our page:

Unvollendete 14 – Fragment of Variations for Piano

All concert videos are available on the YouTube channel of

The Unvollendete 14 Variations are part of the project Research Becomes Art.

A New Life for the Unknown Works of Ludwig van Beethoven: An Artistic Exploration by Maestro Emanuele Stracchi

Born in 1990, he is a pianist, composer, and conductor. Graduating cum laude in Piano and Composition, he studied at the “Briccialdi” Higher Institute in Terni and the “Santa Cecilia” Conservatoire in Rome, subsequently obtaining a Second-Level Diploma cum laude in Musical Disciplines, with a thesis on György Ligeti (Experimental Biennium).

He has recently recorded Contemporary Piano Works for the Diapason label, available on iTunes and Spotify. A student of Guaitoli, he further refined his studies with Marvulli, Micheletti, and Bellocchio; he has studied Orchestra Conducting and Gregorian Chant, and at the prestigious Accademia Musicale Chigiana in Siena he studied with the renowned pianist Lilya Zilberstein.

He graduated cum laude in Philosophy at Roma Tre University (thesis in History of Medieval Philosophy, supervised by Prof. Benedetto Ippolito) and is the author of several musicological publications. Some of his compositions have been awarded prizes and performed by important institutions such as the Central Institute for Sound and Audiovisual Heritage (Istituto Centrale per i Beni Sonori e Audiovisivi).

A versatile musician, he has an extensive concert career spanning chamber music and jazz. As a soloist and with orchestras, he has performed works by Bach, Haydn, Mozart, and Gershwin. Active in contemporary music, he has curated several world premieres and is a specialist in the music of George Gershwin.

In the educational field, he currently holds a piano teaching post at middle schools and is completing advanced studies in Composition for Music Applied to Images (Ordinamental Biennium). Selected for various projects, such as “Soloists with Orchestra” in Rome and the “Call for Young Performers” in 2018 and 2019 in Milan, he has won several international music competitions, including the Premio Novecento 2015 at the Luigi Nono Competition in Venaria Reale (Turin). More recently, he won the Stresa International Competition and the Grand Prix at the “Melos” International Competition at the Pontifical Institute of Sacred Music in Rome.