Dialogue with Beethoven by Daniel Levy,

International Academy of Euphony, 2020

Daniel Levy has created a unique book based on a very original and unique method of dealing with Beethoven’s life: dialoguing with him.

The musician’s extraordinary existence is narrated by an internationally-renowned pianist in Beethoven’s own voice, from his own experience as a performer, in a dialogue with the culture of the time, following a thread that lets us know the essence of Beethoven’s world. Reading the pages of this book, one seems to imagine the two musicians sitting down to exchange these words, where Levy asks Beethoven about everything from his music to his life and what he thought of other musicians of his time. All this through the letters and diaries Beethoven left us.

It is a study that is the result of extensive research, revealing his innermost mysteries and outlining an unfamiliar portrait of one of the greatest composers we ever had. It enhances Beethoven’s romantic and heroic image, as well as the private and hidden aspects that make this titan both man and genius. Levy, rummaging through every corner of Beethoven’s life, sheds new light on the life of the great German musician.

From the testimonies of contemporary figures who knew Beethoven, which Levy introduces in his book, we can get to know the master, looking at various aspects of his life. In fact, the author uses the memoirs of Ries, Czerny, but also the words of other musicians and composers who came after Beethoven, such as Schumann, Liszt, Menuhin, Furtwaengler and even Tagore.

This is a book that should be read while listening to Beethoven’s music, perhaps that which emanated from the pianist Levy’s own hands through his recordings of the Sonatas, where he conveys the beauty and thought of the composer with a sublime performance of which Beethoven himself would be proud.

Levy presents the reader with an unprecedented picture of the composer and has succeeded, with this profoundly beautiful book, in drawing a unique and special portrait of one of the best-known and best-loved composers in the history of music.

The Beethoven Music Research Center www.lvbeethoven.org at the 12th Ascona Music Festival, Canton Ticino (CH)

Pianist Maestro Daniel Levy played a selection from the Nine Minuets Biamonti 290, harmonized by Graziano Denini.

ASCONA MUSIC FESTIVAL

A Festival of Music in the 21st Century

“A Festival of Music in the 21st century should be a celebration of Beauty and Poetry, a true and delicate ceremony of listening, nourishing us and helping us grow in awareness, thanks to the wonders left to us by the great geniuses of art. They speak clearly to us both of intimate feeling and of the universality of the human being.

If the sound of words carries deep meaning, the ancient name Schona and the word Schön share the same essence. The first refers to Ascona, the second to everything that is Beautiful in the German language. Euphonic in nature, the name Ascona evokes Beauty — and vice versa.

From this sensibility arises the Ascona Music Festival, a tribute to Music in a place where nature and the human being are in intimate connection.”

Daniel Levy, Artistic Director

The Ascona Music Festival was born in 2010, inspired by two converging elements. The first, decisive one: the beauty — at once uplifting and austere — of Ascona, set in a blossoming natural landscape between the mountains and Lake Maggiore, making it an ideal environment. The second: the musical experience of the great pianist Daniel Levy, who participates both as performer and as artistic director of the Festival.

The Festival aims to attract all those who love classical music, with an awareness of the profound effects it has on the hearts of human beings and on nature. In its Spring and Autumn editions, it highlights the chamber repertoire in the excellence of service to Music. Alongside concerts, it has programmed artistic musical films, visual art exhibitions, meetings, seminars, and record presentations. Its goal is to become an increasingly attractive international event for the region.

The Centro Ricerche Musicali Beethoveniane www.lvbeethoven.org, in dialogue with Maestro Levy, has agreed to present on this occasion — in an absolute world premiere — a selection of the Nove Minuetti Biamonti 290, originally conceived for orchestra and reduced for piano.

Graziano Denini, co‑author of the website, writes — quoting Nottebohm on the page dedicated to these works:

“… sfogliamo l’album di abbozzi …. inizia (pagine da 1 a 5) con dei pezzi a guisa di danza in tempo di ¾, che potremmo definire Minuetti. Le parole ‘Corni’, ‘Bassi soli’ ecc. che ricorrono in alcuni punti indicano che furono pensati per orchestra: niente di tutto ciò arrivò a compimento …… La formazione orchestrale e il genere delle danze rendono probabile che fossero destinate a un Ridotto o ad un’occasione simile.”

The quality of these pieces is such that it would have been a crime not to complete them — and, in this case, not to present them at such an important and prestigious festival.