Hess 59 – Piano Exercise in C Major

This exercise is discussed by Gustav Nottebohm in a chapter devoted to Beethoven’s piano technique, placing it broadly within the period 1782–1793. Among the examples he cites, Hess includes the two mentioned here as short pieces, and in his catalog he generically states “composed before 1800.” In a later publication (Supplement to the Gesamtausgabe, fascicle IX, 1965), he attributes them to the “early Vienna years.”

The first exercise (12 bars with D.C.) bears the annotation: “Zur Übung der Faust” – For wrist training The second (11/10 bars with D.C.) includes: “Die Hand so sehr möglich zusammen gehalten” – The hand held as closely together as possible “Auf das strengste Legato” – In the strictest legato

These annotations suggest a pedagogical intent, emphasizing wrist flexibility and hand cohesion—hallmarks of Beethoven’s evolving pianistic style. The exercises reflect a transitional phase in his technique, moving from Bonn’s classical roots toward the expressive demands of Viennese virtuosity.

Additional studies (exercises, sequences, “rosalie”) presumably from the same period are mentioned and partially reproduced by Richard Shedlock, further enriching the corpus of Beethoven’s didactic output.

Publication History

• Nottebohm II, pp. 361–362
• Hess SBG, Vol. IX, 1965, p. 13

Artistic Revival

Hess 59 is part of the project “Research Becomes Art” – A new life for the unknown works of Ludwig van Beethoven: an artistic exploration curated by pianist Professor Antonietta Cappelli.

Recording: Hess 59 – Klavierübung in C-Dur Performed by: Antonietta Cappelli, piano

This initiative breathes new life into Beethoven’s lesser-known works, bridging scholarly research and artistic interpretation. It invites listeners to experience the composer’s pedagogical legacy not merely as historical artifacts, but as living music.